Content Details

1.1 Identification of the element

Heritage Holder

1.2 Name of the element, as used by the community or group concerned

Bibi Russell

1.3 Short, maximally informative title (including indication of domain(s))

Entrepreneur, fashion designer, model . Heritage Holder

1.4 Community(ies)/group(s) that recognize the element as part of their cultural heritage

Urban

1.5 Physical location(s) of the element/how often it is practiced

Rangpur Division

1.6 Short description (max. 200words)

Russell was born in 1950 in Chittagong, Bangladesh to Mokhlessur Rahman and Shamsun Nahar.[2] She grew up in Dhaka studying in Kamrunnessa Govt Girls High School and Later College of Home Economics, Azimpur, Dhaka.[3] She earned a graduate degree in fashion from London College of Fashion in 1975. In the next five years, she worked as a model for different magazines including Vogue, Cosmopolitan and Harper's Bazaar.[1] She also worked as a fashion model in fashion shows until 1994, working with Yves Saint Laurent, Kenzo, Karl Lagerfeld and Giorgio Armani.[1] Returning to Bangladesh in 1994, Russell opened a fashion house named Bibi Productions, which fused indigenous Bengali cultural elements into her design. As of 2004, her company employed 35,000 weavers in rural Bangladesh.[1]

1.7 Domain of the element (select one or more/suggest alternative domain)

2. Characteristics of the element

2.1 Practitioners(s)/performer(s): roles, age, gender, social status, and/or professional category etc)

2.2 Other tradition bearers (individuals/groups and their roles)

2.3 Language(s), register(s), speech level(s) involved

2.4 Associated tangible elements ( if any)

2.5 Associated intangible elements (if any)

2.6 How are women and people of other genders associated with this ICH element

2.7 Division of labour during the practice of aforementioned ICH element

2.8 Customary practices governing access to the element or to aspects of it

2.9 Modes of transmission

2.10 Organizations concerned (non-governmental organizations and others)

3. State of the element (viability)

3.1 Threats to the enactment (if any)

3.2 Threats to the transmission (if any)

3.3 Threat to associated tangible elements and resources (if any)

3.4 Viability of associated intangible elements (if any)

3.5 Safeguarding measures in place (if any)

4. Data gathering/documentation, Consent and preparation of inventory entries

4.1 Consent of community/group/individuals concerned for data collection with a view to inventorying

4.2 Restrictions, if any, on use of data collected

5. Resource Person

5.1 Persons/groups, including community representatives

5.2 Date(s) and place(s) of data gathering

Date :
Place(s) :

6. Safeguarding techniques

6.1 Existing safeguarding techniques in the community for the safeguarding of the ICH element

6.2 Suggestions for safeguarding of the ICH element from the community

7. References to literature, discography, audiovisual materials or archives

7.1 References to/in literature

7.2 Audiovisual materials or archives

7.3 Discography or archives

8. Modalities for updating the information contained in the inventory entry

8.1 Persons/groups, including community representatives, who compiled the inventory entry

8.2 Consent of community/group/individuals concerned for data collection with a view to inventorying

8.3 Date of community consent to include the entry on an inventory

8.4 Present condition of the cultural element

9. Community suggestions

(a)Brief description of suggestions for safeguarding of the element by community members/experts/holders, if any

(b)Brief description of restrictions on use of data collected, if any